Minako008 wrote:alnoth wrote:minako i love how you omit the "be" verb in your sentences - i can hear your russian right through the english

Ha-ha, really? Well...okay

Guess I cant hide it

... Minako's russian?
I would have never imagined.
If it's about female fan service then you should check out some bishonen characters. Check their types of faces. (pretty boy) Exactly the right amount of muscles or even on the slender side. The character expressions and charming attitude. Type of clothing can be non-gender specific or as they say Unisex. As in, the type of clothes that you can't tell that it's for men or woman.
I'm not sure if the clothes should be gender-ambiguous, but i don't think it would hurt too much. Also, when it comes to bishonen, you should probably think more in terms of elegance and beauty than manliness or prettiness.
I don't know if this might help, but i think this text comes to the topic a bit (Kunihiko Ikuhara is one of the main "series director" and generally the one to thank for Sailor Moon and Revolutionary Girl Utena, by the way. A very liked and admired person in the industry):
There’s a type of anime which targets a "girl" audience, maybe through being based on shoujo manga, or maybe through having an outlook on the world that’s informed by a girl’s perspective. Originally, the main trends were titles based on popular shoujo manga, like Candy Candy and Rose of Versailles, and magical girl titles, like Magical Princess Minky Momo and Magical Angel Creamy Mami. As a group, they were gentle works in which the subtleties of human emotion were depicted in details or dangers were escaped via the fantastical actions we call "magic." And then, in 1992, Pretty Soldier Sailor Moon began, and the tides changed. Girls actively used their physical skills to defeat evil. Kunihiko Ikuhara, a Sailor Moon director, once commented that "Seeing girls be violent is pleasurable to viewers now." Violence: what everyone had thought girls wanted to avoid at all costs up until then. It’s a world with very negative associations, but it’s true - in the show, Sailor Moon and the others punched and kicked their enemies. What’s most important, however, was not that our popular image of girls had fallen so low that we could see them as violent; it’s that even when they had action scenes like that, the heroines were still beautiful. That’s what inspired the girls’ longing; - even action scenes that only come across as violent with male heroes turn cute and cool when girls do them. Maybe that was what people intrinsically desired even more than fighting boys. And so there was no longer any need for a setup in which the girl is protected by the boy. In that situation, what Kunihiko Ikuhara created next was Revolutionary Girl Utena. It was a show that flew right in the face of the "prince fantasy" setup: the prince who saves the princess is a girl. The world of Utena was a logical extension of the fighting girls you saw in Sailor Moon: what you could call the consummated form of that world. And there was this theme that you fought the male prince as an outdated ideal.
Emphasis mine.