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Postby JacksonEliGray » Sat May 05, 2018 9:32 pm

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Joined: Tue Aug 18, 2015 4:29 am

Subject title: Creature/Character Concept

Initially this was just intended to be a portrait (which is why the quality of the first image is so terrible), but it felt lacking, so I added a body pretty sketchily. But yeah, tear it apart if you have the time!
guy 5 4 2 jpg.jpg
guy 5 4 2 2 jpg.jpg
guy 5 4 2 3.jpg


Postby ArvidHjorth » Thu May 10, 2018 6:40 pm

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Joined: Tue Sep 30, 2014 9:59 am
Location: Stockholm, Sweden

The good:
- I really like the overall wierdness of this. There's something slightly unsetteling, which is what you went for I guess. It gives me a distinct Lynchian/Cronenbergian wibe.
- The face is great and the hands compliments it well. Definetly interesting - good job!

Areas of improvement:
- You said this is a concept - I always ask myself in such instances, what is the concept? Who is this person/creature, and what is the information you're trying to convey through the concept art? I don't think that's clear in this instance, and it needs to read very clearly. Why is he holding a box? Why does he have strings tied across his face and the box he's holding? All this should be clear from a quick glance at the piece.
- On a more technical level - the pose is stiff, and the sketch-like body very much offsets the whole painting due to the clash in contrast with the well-rendered face. This draws attention from the concept.
- On the presentation; the background doesn't do much. It doesn't really provide any additional information - which makes it sort of unneccesary and ultimatly confuses the idea of the painting. Is this an illustration or a concept piece? A simple solution is often best for character concept art I find.

Hope this was somewhat helpful :)
Aspiring concept artist/illustrator in Stockholm, Sweden.

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Postby JacksonEliGray » Sat May 26, 2018 6:32 pm

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Joined: Tue Aug 18, 2015 4:29 am

Incredibly helpful, thank you! :)

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